Blackmagic URSA Broadcast е близнакът на URSA MINI PRO, но с по-малък 4К сензор и 12+ стопа динамичен обхват. Камерата притежава същото шаси, бутони и портове като URSA MINI PRO, вградени ND филтри и възможност да сменяне на байонета с EF, PL и Nikon, a стандартно в комплект е с B4 байонет. Може да записвате също така и 4К Cinema DNG RAW.
Основни характеристики :
4K 13.056mm x 7.344mm сензор;
12+ стопа динамичен обхват; * запис на RAW в Lossless CinemaDNG RAW и много други ;
*до 60fps при запис 4К ;
*Вградени ND филтри -2-stop, 4-stop, 6-stops; *2 слота за CFast card;
*2 слота за SD UHS-II card;
* ярък подвижен 4 инчов тъчскриин монитор ;
*професионални конектори като 12G-SDI * 2 x XLR входа с Phantom power support ;
вградени цветови профили, вградени в камерата;
Reference Input: Tri-Sync/Black Burst/Timecode, iPad control via Bluetooth
The world’s most affordableand flexible professional broadcastcamera for HD and Ultra HD!
Introducing URSA Broadcast, the world’s most affordable and most flexible professional broadcast camera. URSA Broadcast is two cameras in one, an incredible field camera for ENG and programming work, as well as a professional studio camera! URSA Broadcast is perfect for traditional broadcasters because it uses the lenses and batteries you already own, and it also eliminates weird media cards and file formats found on traditional cameras. It records onto regular SD cards and uses the same common file formats found on broadcast media management systems and most NLE software.Plus URSA Broadcast is perfect for web broadcasters because it works with both older after marketHD lenses and inexpensive photo lenses.No other broadcast camera is more flexible and more affordable!
Two Cameras in One
Switch instantly between live work or field shooting!
URSA Broadcast is two cameras in one! The compact design, familiar controls and broadcast camera features are ideal for ENG style shooting and vital for working quickly when you’re trying to capture breaking news. Whether you’re in the studio or out in the field, URSA Broadcast will give you incredible image quality, accurate skin tones and vibrant colors that are far superior to cameras costing ten times more. The key is URSA Broadcast's new extended video mode that produces pictures you don’t need to color grade so you can shoot, edit and get stories on air faster than ever before.URSA Broadcast is also the first camera that finallylets AV and web broadcasters afford a true professional broadcast solution that’s dramatically better than DSLRs!
Work in HD or Ultra HD
Incredible 4K imagesensor for wide dynamicrange and wide depth of field
URSA Broadcast features an incredible 4K image sensor and a new extended video mode with better dynamic range and color fidelity.The image sensor is designed for both HD and Ultra HD so you get amazing texture and detail, accurate skin tones, vibrant color and high dynamic range video, all without the need for post production.That means you can shoot, edit and get stories on air fast! The high resolution sensor is a huge advantage, even when working in HD, because you get sub pixel image processing and superior anti-aliasing for super sharp images. URSA Broadcast is a future proof camera that’s versatile enough to use on any HD or Ultra HD production!
Built in Optical ND Filters
High quality neutral densityfilters with IR compensation
URSA Broadcast features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast, providing you with additional latitude and better colorimetry, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths. This eliminates the IR contamination usually associatedwith most ND filters. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can be displayed as either a fraction, number, or stop reduction on the LCD.
Effective Sensor Size: 2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)
Lens Mount: B4 2/3 inch
Lens Control: Electronic control via 12-pin broadcast connector. Control also possible via EF mount pins when using optional URSA Mini Pro EF Mount.
Dynamic Range: 12 Stops+
Shooting Resolutions: 3840x2160, 1920x1080
Frame Rates: Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p.
Built in ND Filters: Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus: Focus button turns on peaking, auto focus available using compatible lenses with focus servo.
Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
Screen Dimensions: 4 inch.
Screen Type: LCD capacitive touchscreen.
Metadata Support: Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Controls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Timecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections: Total Video Inputs - 1 x SDI
Total Video Outputs: 1 x SDI, 1 x SDI Monitoring.
SDI Rates: 1.5G, 3G, 6G, 12G.
Analog Audio Inputs: 2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs: 1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
Reference Inputs: Tri-Sync/Black Burst/Timecode.
Remote Control: 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface: USB Type-C for software updates.
Audio: Microphone - Integrated stereo microphone.
Built in Speaker: 1 x mono speaker.
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
Interlaced output via SDI 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance: SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling: 48 kHz and 24 bit
Media: 2 x CFast for 4K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording.
Supported Codecs: DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.
Control: External Control - Blackmagic SDI Control Protocol, iPad control via Bluetooth, 2 x 2.5mm LANC for lens and record control.
Color Corrector: DaVinci YRGB.
Talkback and Tally
SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Storage Type: 2 x CFast 2.0; 2 x SD UHS-II cards; 2.5 inch SSD via optional URSA Mini SSD Recorder
3840 x 2160
Apple ProRes 444 XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
DNxHD 220X - 27.5 MB/s
DNxHD 145 -18.2 MB/s
Storage rates based on 30 frames per second.